]]> Tue, 18 Jun 2024 22:54:53 +0100 Os Overdoses - Practical Choke <![CDATA[<p><img src="https://i.ytimg.com/vi/G5xT8KUraFw/mqdefault.jpg" /></p><p>]]> https://www.sinfonias.org/telediscos/watch.php?vid=f3152815d https://www.sinfonias.org/telediscos/watch.php?vid=3ea65aa4e

Habits is the third single from my album "Underwater, feels like eternity" out now!! via Lay Down Recordings

Stream it here: https://bfan.link/underwater-feels-like-eternity

Follow me
Instagram: https://www.instagram.com/itsmondaymusic
Spotify: https://open.spotify.com/artist/2rZoIMzwPb8Z3C2aMpwwjG?si=NyZwGjgxSKCS7ZrjVYgfOw
Facebook: https://www.facebook.com/itsmondaymusic

Video by André Tentugal and Le Joy
Production by Margarida Falcão
Styling by Beatriz Diniz

Music written and produced by Cat Falcão
Lyrics by Cat Falcão and Afonso Cabral
Recorded at Bela Flor Estúdios by Nuno Monteiro
Mix and master by Nuno Monteiro
Vocals, guitars, heartbeats and synths by Cat Falcão
Bass by David Santos
Drums by Sergio Nascimento


Rip my dress, I put out in a fire
Late romance, we’re drinking ’til were tired
I feel lighter when I'm with you
You remind me of who I used to be

Lean on you, we’re warming in the sun
Just us two, we’re leaving everyone
You bring back all my childish dreams
You remind me of who I used to be

Please don’t forget that
I’m tired of fighting
And words don’t come right I’ve got to let go
Of him and his habits I know it ain’t right

Stay with me
I'm longing for desire
We’ll go home and dream of what we want to become
I feel light coming from you
You remind me of who i want to be

Please don’t forget that
I’m tired of fighting
And words don’t come right
You’ve got to let go
Of him and his habits
You know it ain’t right

Please don’t forget that
I’m tired of fighting
And words don’t come right
I’ve got to let go
Of him and his habits
I know it ain’t right

I’ve got to let go of him and his habits
His world isn’t mine

PZ "Setúbal" do álbum "O Fim do Mundo em Cuecas" https://hypeddit.com/pzpimenta/ofimdomundoemcuecas

CRÉDITOS VÍDEO:
Realização: Paulo Zé Pimenta
Direção de Fotografia: Francisco Lobo
Agradecimentos: Ana Janson e Ó Bifanas - Casa das Bifanas (as melhores do Porto)

CRÉDITOS AUDIO:
Música, Voz e Letra: Paulo Zé Pimenta
Mistura e Masterização: Zé Nando Pimenta

LETRA:
É assim pá
Vou 'pa Setúbal
Almoçar com o Asdrúbal
É assim pá
Vou 'pa Setúbal
Entretanto passo em Guimarães

É assim pá
Vou 'pa Setúbal
Vou-me encontrar com o Aníbal
É assim pá
Vou 'pa Setúbal
E depois volto a Guimarães

Saí do Porto
Em ponto morto
Até Coimbra
Pa poupar na gasolina
Que se fodam os gajos da Galp
Que se fodam os gajos da Galp
Vou mais além
À BP
De Santarém
Porquê?
Porque tem
Uma selva
No quarto de banho da Colibri
Depois fumo na relva
E saio dali
Em direção a Lisboa
Impregnada pelo tal
Stress da capital
É o stress da capital

É assim pá
Vou 'pa Setúbal
Vou-me encontrar com o Asdrúbal
É assim pá
Vou 'pa Setúbal
E depois volto a Guimarães

Sigo caminho
Levezinho
Sou um gajo do Minho
Fininho

Mas agora tenho
Tempo pra comer
Uma Sandes de presunto
Mas eu é que pergunto:

Como é que te sentes
Atrás do balcão?
Como é que te sentes
Atrás do balcão?

Sinto-me mal
Isto paga mal
IRS e tal
Não sobra nada pa
Viver no meio desta
Realidade social
E toda a gente a comentar
O escândalo Galamba
O escândalo Galamba
E toda a gente a comentar
O escândalo Galamba
O escândalo Galamba

É assim pá
Vou 'pa Setubal
Almoçar com o Asdrúbal
É assim pá
Vou 'pa Setúbal
Entretanto passo em Guimarães

É assim pá
Vou 'pa Setúbal
Vou-me encontrar com o Aníbal
É assim pá
Vou pa Setúbal
E depois volto a Guimarães

Yeah

bad tomato is a 3-piece squad that's here to be your new favorite band

all music written and performed by us.
additional vocals by Rita Pinto & Jay Wennington.
produced and recorded by bad tomato & Guilherme Machado Correia.
mixed & mastered by André Isidro.

special thanks to Ela Canela.

video directed by Manuel Casanova and shot by Guilherme Proença.
shot on Kodak 16mm film.

subscribe @badtomatobadtomato
instagram - https://www.instagram.com/badtomatobadtomato
spotify - https://open.spotify.com/artist/2nDeZghOWd8RoDAEGMGoy1
tiktok - https://tiktok.com/@badtomatobadtomato
facebook - https://www.facebook.com/badtomatobadtomato

words:
mate can we sit down at a restaurant without having to call a physician?
the kid just said there’s no peanuts on that, no you can’t smell it stop being a brat
yeah we all heard you are gluten intolerant, allergic to shellfish, but please don’t be ignorant
the kid ain't even getting minimum wage, stop nagging, eat the soup
of course you’re wearing beige

no duck, pad thai or sesame (send it back)
just ranch on pizza, onion rings (oh that’s right)
please eat your soup and leave a tip, (what?)
it’s bad tomato, bad tomato, yeah fuck your avocado

no shots no
you just get the bill because
you’re no fun
being cheap and counting what you had
go get the calculator then

lights out for you
we’re bouncing soon because
you’re no fun
split hairs mate
I don’t really care
you ain’t no bad tomato son

"well, I didn't have any drinks! I mean I had two large red bulls but you guys had shots so... I think we should split like individually, you know?"

it was 9am you were munching on fries
drowning them on spray cheese what a demise
lactose intolerant, oh now that’s not relevant
just don’t forget you’re allergic to everything

now get out of his way he needs to go,
he’ll be a while let’s go play some pool,
opened the game and now here comes the fool
with all of his tricks and them fucking rules

no shots no
you just get the bill because
you’re no fun
being cheap and counting what you had
go get the calculator then

lights out for you
we’re bouncing soon because
you’re no fun
split hairs mate
I don’t really care
you ain’t no bad tomato son

you’re no fun
I ain’t done
there is nowhere to run
yeah this bill weighs a ton and
you’re still no fun

I ain’t done
you’re no fun
there is nowhere to run
trust me we’ve just begun
this is bad tomato son

again, your new favorite band

all music written and performed by us.
produced and recorded by Bad Tomato & Guilherme Machado Correia.
mixed & mastered by André Isidro.

video starring Adérito Lopes, directed by Manuel Casanova and shot by Guilherme Proença.

subscribe @badtomatobadtomato
instagram - https://www.instagram.com/badtomatobadtomato
facebook - https://www.facebook.com/badtomatobadtomato
spotify - https://open.spotify.com/artist/2nDeZ...
tiktok - https://www.tiktok.com/@badtomatobadtomato

words:

all my friends they’re digital nomads
so cool, I don’t mind they’re all “chads”
another night out with the lads
might end up getting some crabs

all your friends are digital nomads?
you don’t think that’s kinda sad?
I don’t mean to make you mad
I’d just rather not live in a shed, ha

nowhere to live
no air to breathe
nowhere to fill
just pain to feel
no time to kill
just go faster faster faster and faster

no time to live
lotta pain to breathe
more pain to grieve
but nowhere to feel
just air to kill
but go faster faster faster and faster

replace my friends
cause they re all gone now
I can’t complain
we’re so lucky there’s no rain

moved out of mom’s
we’re all grown up now
and they say i can’t complain
no pay but there’s no rain

I can’t complain yea we’re still young
just cause we’re melting inside out
bite down my tongue,
breath in and shout
there’s no air left, no time, just doubt

I can’t complain but I'm not done
even if all my friends are gone
sun’s out, just strangers all around
rent’s up but mate don’t make a sound

all music written and performed by bad tomato.
produced and recorded by Bad Tomato, Guilherme Machado Correia & André Isidro.
mixed & mastered by André Isidro.

video starring João Simões, directed by Manuel Casanova and shot by Guilherme Proença & Manuel Casanova.

words:

5am in the afternoon
spaced out, like I’m going soon
head rush, falling in a swoon,
just when mommy that I’m in bloom,
ha

driving straight in a roundabout
cop yells calling for his goons
keep speeding I might take ‘em out
that’s when he said:
put him in a bodybag

he said put him in a bodybag,
"chief, there’s this ikea bag",
bring him in a body bag,
ok yea, get me that ikea bag!

won’t stop 'til I drop or they get me choked out,
grasping for air, lucid dreaming I shout

10am still in my room,
this girl’s asking what’s my moon?
out the window I see this raccoon,
he says: "what’s up dude why u so blue?"

we head out, drive past the cops,
they're chasing us down, raccoon says "stop,
we’re just out for a new stovetop",
"thats why my mate is wearing this ikea bag",
air’s running thin and he’s getting stressed out,
biting heads off he shouts:
put ‘em in a bodybag!

mate what you mean a bodybag?
"yea, just take that ikea bag"
"looks nice yea get me the ikea bag"
much better than a bodybag

BIRDS ARE INDIE - The rabbit hole

From the album “Ones & Zeros” (Lux Records, 2023).

Music & Lyrics by
BIRDS ARE INDIE

Performed by
JOANA CORKER, RICARDO JERÓNIMO & HENRIQUE TOSCANO

Directed & Edited by
TIAGO CERVEIRA

Concept & Art Direction by
BIRDS ARE INDIE & TIAGO CERVEIRA

Production Assistants
SARA QUARESMA CAPITÃO & DANIEL FRANÇA

Special thanks
CRITICAL SOFTWARE

Publishing & Record Label
LUX RECORDS

Audio Recording & Booking Agency
BLUE HOUSE

Single off of Alek Rein's upcoming new album ‘Golden Montada’, out digitally soon via Lay Down Recordings and a beautiful vinyl release by ZDB.

Stream it here: https://bfan.link/everythings-changing

Video footage from a 1946 home video in Yellowstone National Park (Prelinger Archives).
Edited by Pip Marinho.

Lyrics:

Every time I put my foot in these silver waters
These silver waters try to drag me away from home
And as I’m resting by the bank now, I start to wonder
I start to wonder what does it mean to go under

Faces and places I’ve seen in the past
Everything’s changing, changing so fast

(x2)

Baby, I'll change (x3)

Youngbloods opens its 2024 programming introducing "Where Did You Come From, You Sweet Horses" by The June Carriers: the lead piece in a new project by Portuguese songwriter Francisco Silva aka Old Jerusalem. His forthcoming full length album, Equanimity is a stylistic departure from his prolific output, turning to open-ended guitar works that are warm in tone, measured in pace, and ponderous in structure. Equanimity casts a series of aural still lifes that reflect the wisdom (and namesake) borrowed from an ancient 10th century collection of Zen riddles. Silva points to one in particular: a pilgrim is asked what the purpose of his pilgrimage is, to which he claims he does not know, he is merely following the wind. Silva, finding himself in similar circumstances, found inspiration in the riddle’s conclusion that not knowing is most intimate.

Equanimity will be released on physical and digital formats April 10th, 2024 on Brooklyn-based imprint Youngbloods.

Images shot by Omri Ohana
Edited by André Tentúgal


www.weareyoungbloods.com

//Music - Paraguaii

//Video Art - Luís Canário Rocha

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

De mãos dadas com o tema, Luís Canário Rocha utiliza o traço contínuo e sinuoso para entre certezas e incertezas percorrer o campo visual do espectador e mostrar múltiplos caminhos que ora se unem ora se confrontam. O embate de linhas nada mais são do que trilhos de uma montanha, sem estradas definidas, são os pés e o olhos que constroem o caminho, de trás para a frente, para cima e para baixo, ás voltas com a incerteza sobre isto que é viver.

Do álbum "Hiatus", disponível para download aqui:
https://dwvoid.bandcamp.com/album/hiatus

That Lonesome Lad - Feat. Bonnie Blossom & Pedro Antunes

JOHN MERCY: Vocals, Acoustic & Electric Guitars, Piano, Banjo, Mellotron, Hammond B3, Bell, Wurlitzer 200A, Sound Design, Electric Harmonium, Claps, War Drum, Tambourine, E-Bow
BONNIE BLOSSOM: Vocals
PEDRO ANTUNES: Bass, Vocals

Recorded, Mixed & Mastered at the Blue House Studio by John Mercy

Video: A Page Of Madness (1926)

Released via Lux Records
LP - The Murder of Harry (2023)

Lyrics & Music: John Mercy

[That Lonesome Lad]

I awoke with your breath. Your hand pressing on my chest.
A sudden gush of wind ‘round my neck, while the floor was running wild.
That’s when the fever broke, and I became that lonesome lad, without voices in his head.
And how I miss them, how I dearly miss them

Like a bird without wings, or a fish with absent fins I lost the north to the wolves and the south to colder dreams.
Madness takes its time then it lasts forever. It lasts Forever

Underneath the shallow dreams of old, there lies something to be told about the words I heard her speak about the apocalypse.

But it wasn’t what she said, it was how she spoke to me: an old confession professing belief; a revelation beyond my grief.
Madness took its time and I’m not that lonesome lad without voices in his head.
They keep me company, they keep me company
Madness, take your time and stay forever, stay forever. Stay Forever.

“But remember this”, she said, and don’t forget it, she spoke: that I won’t be your friend, and I am not your lost flame.
You’ve been told Harry, it was you who called on me when you sold your soul down the river.
Those were your chains, not my hands that brought us close and enslaved us both to the devil
down the river, oh down the river
down the river, oh down the river I became your slave. Your slave
And how I miss those days those long black days when I became your slave
now I miss those days those long black days when I wondered and wondered
how I miss those days those long black days when I became your slave
now I miss those days those long black days when I wondered and wondered
how I miss those days those long black days when I became your slave
now I miss those days those long black days when I wondered and wondered
how I miss those days those long black days when I became your slave
Oh down the river, down the river

2023 Rossio Music Publishing

LYRICS:

There was my child
She was born out of me

She grew out
Out of me
Out of my vision
Out of me
She was born out of, out of me
Out of mine
Out of me
In my external organ
My printed incubator
Out of my incondicional love

Let her grow out of me
Let her grow out of me
Let her grow out of me
Let her grow

Out for the group
Out for the group
Out for the group
Out for the group

The pleasure that matters
The matter's not for profit you
Affection turns into freedom
Affection turns into freedom

She grew out
Out of me
Out of my vision
Out of me
In my external organ
My printed incubator
Out of mine
Out of me
Umbilical, umbilical
Umbilical, umbilical

-

CREDITS - EP "Impish" (2022):

COMPOSITION, PRODUCTION, VOICE: Puçanga
SONGWRITING: Puçanga
RECORDING: Estúdio Comunitário (CEA); Tegeler Audio Manufaktur
MIXING: Marius Krämer
MASTERING: Ankur Sood (Seres Studios)
SUPPORT: OUT.RA - Associação Cultural
ARTWORK: Mark Angelo Harrison

-

CREDITS - Bio Print Videoclip:

VIDEOCLIP CONCEPT: Puçanga and Mark Angelo Harrison
CAMERA (Black&White): Mark Angelo Harrison
CAMERA (Colour): Rita Laranjeira
LIQUID LIGHT SHOW: Uliarud Uliarud
EDITING: Vera Marques (Puçanga)

-

THANK YOU:

Mark Angelo Harrison
Rita Laranjeira
Uliarud Uliarud
Maria Adelaide Silva
Cília Carvalheiro
Almada Mundo Associação
Clube Recreativo União Raposense
José Cabete
Miguel Limão

LYRICS:

Long time ago
When we were humans
From the aquatic world
Instead of ears
We had singing gills
We found each other through songs

Vision was not stronger
It was not the master
Our deep commander
Was a chain

The water in transit
Carried the sound
Travel in the singing
Like the waves

Long time ago
When we were humans
From the aquatic world
Instead of ears
We had singing gills
We found each other through songs

Submerging words
To guide
To dive
Echoes enough to find
Each other
Vibration was a bond
Fluctuation was through sound
Pronounce your touch
Submerge your words

To dive
To guide
To dive
To guide
To dive
To guide

--

CREDITS - EP "Impish" (2022):

COMPOSITION, PRODUCTION, VOICE: Puçanga
SONGWRITING: Puçanga
RECORDING: Estúdio Comunitário (CEA); Tegeler Audio Manufaktur
MIXING: Marius Krämer
MASTERING: Ankur Sood (Seres Studios)
SUPPORT: OUT.RA - Associação Cultural
ARTWORK: Mark Angelo Harrison

--

CREDITS - Bio Print Videoclip:

VIDEOCLIP CONCEPT: Puçanga
CAMERA, EDITING and COLOURING: camcat.pt
COSTUME DESIGN AND STYLING: Nuno Alexandre Nunes
3D ANIMATION: Maria Mendes

--

CREDITS - SINGLE 'Algorhythm for the People' (2023)

COMPOSITION, PRODUCTION, VOICE: Puçanga
SONGWRITING: Puçanga
RECORDING: Takhi Records; Oficinas do Convento
MIXING: Henrique Apolinário
MASTERING: Ankur Sood (Seres Studios)
PHOTO ARTWORK: Inês Sambas


CREDITS - MUSIC VIDEO 'Algorhythm for the People' (2023)

CONCEPT: Puçanga
CAMERA: Inês Sambas
LIGHT: António Orvalho Costa
EDITING: Puçanga and Inês Sambas
COLOUR GRADING: Inês Sambas
FEATURING: Alicia Monreal, Ines Ballesteros, Isabel Andrade, Kali, Nora, Puçanga, Ramona Weirather
STUDIOS: Oficinas do Convento, Alma d'Arame


LYRICS:

should a chess game have
two colours or just one?

algorithms shaping what we see
how much definition being shown to me?
corporate and clever, that's what i read
the hand that takes, as said laurie
non-human goals by non-human entities
do your higher plans provide a control z?

brand new day
feeling of being close
playing the same
loaded dice tho

shut the bigger show
the bigger show
the bigger show
show me a better show
a better show
a better show

should a chess game have
two colours or just one?

prototype future, non binary machines
solar punk future is what we fucking need
takes blood takes skill, autonomy
scanning big masses, impossible to read
how do you predict what a self might be?
this is not intelligent, fortify me
animals, plants, machines
now it's

brand new day
feeling of being close
playing the same
loaded dice tho

algorhythm for the people, now it's
algorhythm for the people, now it's
algorhythm for the people, now it's
algorhythm for the people, now it's

O Marta - Inferno
Disponível em todas as plataformas digitais

Eu amo-te quando não há cor
E há guerra e dor
A paz é a condição para a luta
E o sangue não é razão
É vermelho e negro

Eu sorri com a faca no peito
A abraçar o coração
Coração sem jeito
Fica nele se quiseres ficar
Mas a pedra não ama nem se deixa espetar

Amor é guerra e dor
Amor a nossa guerra é dor

Eu amo-te quando não há cor
E há guerra e dor
A paz é a condição para a luta
E o sangue não é razão
É vermelho e negro

Eu sorri com a faca no peito
A abraçar o coração
Coração sem jeito
Fica nele se quiseres ficar
Mas a pedra não ama nem se deixa espetar

Eu sorri com a faca no peito
A abraçar o coração
Coração sem jeito
Fica nele se quiseres ficar
Mas a pedra não ama nem se deixa espetar

Eu sorri com a faca no peito

Produção e arranjos
Guilherme Marta e Tomé Silva

Mistura
João Bessa

Masterização
Miguel Marques

Argumento, Realização, Produção e Cinematografia:
Miguel Andrade & Miguel Tedim Silva

Montagem e DMX
Miguel Andrade

Color Grading
Miguel Tedim Silva

Costume Design
Pedro Novo e Guilherme Marta

Atores
Aléxia Mengas
Andreia Magalhães
Carolina Gandarela
Francisca Queiroz
Inês Pereira
Maria Carlos

Produtora
RAW filmes

Tó Trips - electric guitars/ reverse guitars
João Doce - drums and percussions
Gonçalo Prazeres - tenor saxophone
Gonçalo Leonardo - double bass

---------
Music / Música

Gravado / Recorded
@ Arda Recorders, Porto, January 2023
by Hugo Valverde, assisted by Bárbara Santos

Mistura / Mixing
Hugo Valverde @ Estúdios Cão Andaluz

Masterização / Mastering
Tiago Gomes de Sousa

------------
Vídeo

Direção / Directed by
Chikolaev

Animação / Animation
Chikolaev

Maquilhagem / Make up
Guilherme Gamito

------------
Booking
Produtores Associados


-------
www.clubmakumba.com
www.instagram.com/clubmakumba
www.facebook.com/clubmakumba

From Surma's 2023 Christmas EP " if i'm not home : i'm not far away"

"Life Without Crime" é um dos novos temas de Victor Torpedo incluído no álbum "Zoom", o último dos doze discos prometidos por Torpedo para o ano de 2023.

"Zoom" encerra este ciclo da melhor maneira com participações de Raquel Ralha (Belle Chase Hotel, Wraygunn, Mancines e Animais), Miguel Padilha (Wipeout Beat e So Dead), John Mercy (a Jigsaw), Tracy Vandal (Tiguana Bibles), Sofia Leonor (From Atomic e So Dead), Fausto Sousa (5ª Punkada), Violeta Luz e Sue Eko.

É também o único dos 12 discos de 2023 que contém versões, a saber: "Hong Kong Garden" (Siouxsie & The Banshees), "Only You" (The Platters), "Sea Of Love" (Phil Phillips with The Twilights) e "Be My Wife" (David Bowie).



"Life Without Crime" it's the new single taken from "Zoom", the last of the twelve albums promised by Torpedo in 2023.

"Life Without Crime", music/lyrics/video by Victor Torpedo


Lux Records, 2023

Do álbum "Distraimento"

Musica: Ricardo Martins
Gravado por Hugo Valverde e Bárbara Santos nos estúdios Arda.
Misturado e masterizado por Hugo Valverde.
Vídeo por João Descalço.
Design por Margarida Borges
Editado por Revolve

RVLV61
rvlv.net